Police detective finds an anonymous package and seeks to find answers.
INR 125.0
Lucy begins to receive packages with chilling implications.
A sassy pansexual sex blogger prepares for a high-profile house tour, but his plans are derailed by his narcissistic bestie, determined to retrieve something she claims is irreplaceable.
<div>Once, the wind always blew, and people took it for granted.</div><div><br></div><div>But as time passed, the city became suffocated with polluted air, and the wind came to a stop.</div><div><br></div><div>One day, a young boy named Ji-hoo watches his pinwheel, motionless in the still air, and wonders why.</div><div><br></div><div>People around him remain indifferent, merely walking through the smog with their masks on.</div><div><br></div><div><br></div><div><br></div><div>But then, a small change begins.</div><div><br></div><div>Na-yeon starts nurturing a tiny potted plant.</div><div><br></div><div>Young-sik, a street cleaner, tirelessly sweeps the roads.</div><div><br></div><div>Some plant trees, while others choose bicycles over cars.</div><div><br></div><div>And finally, the wind returns.</div><div><br></div><div>Ji-hoo watches in awe as his pinwheel begins to spin—slowly at first, then faster, stronger.</div><div><br></div><div>"We must live in harmony with nature."</div><div><br></div><div>This film serves as a poignant reminder to modern society that even the smallest actions can lead to monumental change</div>
<div>Inspired by a tumultuous period in the director's relationship with her mother, the film draws an analogy between the phases of this conflict and the states of water along the coast of São Paulo, where the director grew up. The short film is divided into three chapters, each exploring different perspectives, times, and spaces in a quest to understand the truth of each version of memory:</div><div><br></div><div>I. The Past — when the daughter was still living in an abusive relationship, at a time when nature remained formless, inert.</div><div><br></div><div>II. The Present — where the mother observes and relives her daughter's suffering, as the space of the house is introduced.</div><div><br></div><div>III. The Future — when the daughter, after years of reflection, finally sees both her mother's suffering and her own, at a time when nature and the house coexist.</div><div><br></div><div>There is no absolute truth; nature's time is one of adaptation, of change. The narrative reveals that it is not just nature itself, nor the isolated house, but the coexistence of the two—a process of understanding that flows, adapts, and transforms, just like water. Flowing water, transforming water, healing water against stagnant water, secluded water, water of sorrow.</div>
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